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Electronic Music-Global Market Insights and Sales Trends 2025

Electronic Music-Global Market Insights and Sales Trends 2025

Publishing Date : Mar, 2025

License Type :
 

Report Code : 1863142

No of Pages : 102

Synopsis
Electronic music is a well-liked music intended in clubs. The music has repetitive beat and synthesized backtrack. Since the beginning of music, many people have been listening to various types of them.
The global Electronic Music market size is expected to reach US$ million by 2029, growing at a CAGR of % from 2023 to 2029. The market is mainly driven by the significant applications of Electronic Music in various end use industries. The expanding demands from the Clubs, DJs & Live Acts and Others,, are propelling Electronic Music market. Trance Music, one of the segments analysed in this report, is projected to record % CAGR and reach US$ million by the end of the analysis period. Growth in the Trap segment is estimated at % CAGR for the next seven-year period.
Asia Pacific shows high growth potential for Electronic Music market, driven by demand from China, the second largest economy with some signs of stabilising, the Electronic Music market in China is forecast to reach US$ million by 2029, trailing a CAGR of % over the 2023-2029 period, while the U.S. market will reach US$ million by 2029, exhibiting a CAGR of % during the same period.
Report Objectives
This report provides market insight on the different segments, by players, by Type, by Application. Market size and forecast (2018-2029) has been provided in the report. The primary objectives of this report are to provide 1) global market size and forecasts, growth rates, market dynamics, industry structure and developments, market situation, trends; 2) global market share and ranking by company; 3) comprehensive presentation of the global market for Electronic Music, with both quantitative and qualitative analysis through detailed segmentation; 4) detailed value chain analysis and review of growth factors essential for the existing market players and new entrants; 5) emerging opportunities in the market and the future impact of major drivers and restraints of the market.
Key Features of The Study:
This report provides in-depth analysis of the global Electronic Music market, and provides market size (US$ million) and CAGR for the forecast period (2023-2029), considering 2022 as the base year.
This report profiles key players in the global Electronic Music market based on the following parameters - company details (found date, headquarters, manufacturing bases), products portfolio, Electronic Music sales data, market share and ranking.
This report elucidates potential market opportunities across different segments and explains attractive investment proposition matrices for this market.
This report illustrates key insights about market drivers, restraints, opportunities, market trends, regional outlook.
Key companies of Electronic Music covered in this report include Spinnin’ Records, Mad Decent, Ultra Music, Armada Music, OWSLA, Monstercat, Ministry of Sound, Revealed Recordings and Dim Mak, etc.
The global Electronic Music market report caters to various stakeholders in this industry including investors, suppliers, product players, distributors, new entrants, and financial analysts.
Market Segmentation
Company Profiles:
Spinnin’ Records
Mad Decent
Ultra Music
Armada Music
OWSLA
Monstercat
Ministry of Sound
Revealed Recordings
Dim Mak
Defected
Global Electronic Music market, by region:
North America (U.S., Canada, Mexico)
Europe (Germany, France, UK, Italy, etc.)
Asia Pacific (China, Japan, South Korea, Southeast Asia, India, etc.)
South America (Brazil, etc.)
Middle East and Africa (Turkey, GCC Countries, Africa, etc.)
Global Electronic Music market, Segment by Type:
Trance Music
Trap
Glitch Hop
Chillout Music
Others
Global Electronic Music market, by Application
Clubs
DJs & Live Acts
Others
Core Chapters
Chapter One: Introduces the report scope of the report, executive summary of global and regional market size and CAGR for the history and forecast period (2018-2023, 2024-2029). It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter Two: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter Three: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter Four: Detailed analysis of Electronic Music companies’ competitive landscape, revenue, market share and ranking, latest development plan, merger, and acquisition information, etc.
Chapter Five: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product introduction, revenue, recent development, etc.
Chapter Six, Seven, Eight, Nine and Ten: North America, Europe, Asia Pacific, Latin America, Middle East & Africa, revenue by country.
Chapter Eleven: this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter Twelve: Research Finding/Conclusion
Index
1 Market Overview of Electronic Music
1.1 Electronic Music Market Overview
1.1.1 Electronic Music Product Scope
1.1.2 Electronic Music Market Status and Outlook
1.2 Global Electronic Music Market Size Overview by Region 2018 VS 2022 VS 2029
1.3 Global Electronic Music Market Size by Region (2018-2029)
1.4 Global Electronic Music Historic Market Size by Region (2018-2023)
1.5 Global Electronic Music Market Size Forecast by Region (2024-2029)
1.6 Key Regions, Electronic Music Market Size (2018-2029)
1.6.1 North America Electronic Music Market Size (2018-2029)
1.6.2 Europe Electronic Music Market Size (2018-2029)
1.6.3 Asia-Pacific Electronic Music Market Size (2018-2029)
1.6.4 Latin America Electronic Music Market Size (2018-2029)
1.6.5 Middle East & Africa Electronic Music Market Size (2018-2029)
2 Electronic Music Market by Type
2.1 Introduction
2.1.1 Trance Music
2.1.2 Trap
2.1.3 Glitch Hop
2.1.4 Chillout Music
2.1.5 Others
2.2 Global Electronic Music Market Size by Type: 2018 VS 2022 VS 2029
2.2.1 Global Electronic Music Historic Market Size by Type (2018-2023)
2.2.2 Global Electronic Music Forecasted Market Size by Type (2024-2029)
2.3 Key Regions Market Size by Type
2.3.1 North America Electronic Music Revenue Breakdown by Type (2018-2029)
2.3.2 Europe Electronic Music Revenue Breakdown by Type (2018-2029)
2.3.3 Asia-Pacific Electronic Music Revenue Breakdown by Type (2018-2029)
2.3.4 Latin America Electronic Music Revenue Breakdown by Type (2018-2029)
2.3.5 Middle East and Africa Electronic Music Revenue Breakdown by Type (2018-2029)
3 Electronic Music Market Overview by Application
3.1 Introduction
3.1.1 Clubs
3.1.2 DJs & Live Acts
3.1.3 Others
3.2 Global Electronic Music Market Size by Application: 2018 VS 2022 VS 2029
3.2.1 Global Electronic Music Historic Market Size by Application (2018-2023)
3.2.2 Global Electronic Music Forecasted Market Size by Application (2024-2029)
3.3 Key Regions Market Size by Application
3.3.1 North America Electronic Music Revenue Breakdown by Application (2018-2029)
3.3.2 Europe Electronic Music Revenue Breakdown by Application (2018-2029)
3.3.3 Asia-Pacific Electronic Music Revenue Breakdown by Application (2018-2029)
3.3.4 Latin America Electronic Music Revenue Breakdown by Application (2018-2029)
3.3.5 Middle East and Africa Electronic Music Revenue Breakdown by Application (2018-2029)
4 Electronic Music Competition Analysis by Players
4.1 Global Electronic Music Market Size by Players (2018-2023)
4.2 Global Top Players by Company Type (Tier 1, Tier 2 and Tier 3) & (based on the Revenue in Electronic Music as of 2022)
4.3 Date of Key Players Enter into Electronic Music Market
4.4 Global Top Players Electronic Music Headquarters and Area Served
4.5 Key Players Electronic Music Product Solution and Service
4.6 Competitive Status
4.6.1 Electronic Music Market Concentration Rate
4.6.2 Mergers & Acquisitions, Expansion Plans
5 Company (Top Players) Profiles
5.1 Spinnin’ Records
5.1.1 Spinnin’ Records Profile
5.1.2 Spinnin’ Records Main Business
5.1.3 Spinnin’ Records Electronic Music Products, Services and Solutions
5.1.4 Spinnin’ Records Electronic Music Revenue (US$ Million) & (2018-2023)
5.1.5 Spinnin’ Records Recent Developments
5.2 Mad Decent
5.2.1 Mad Decent Profile
5.2.2 Mad Decent Main Business
5.2.3 Mad Decent Electronic Music Products, Services and Solutions
5.2.4 Mad Decent Electronic Music Revenue (US$ Million) & (2018-2023)
5.2.5 Mad Decent Recent Developments
5.3 Ultra Music
5.3.1 Ultra Music Profile
5.3.2 Ultra Music Main Business
5.3.3 Ultra Music Electronic Music Products, Services and Solutions
5.3.4 Ultra Music Electronic Music Revenue (US$ Million) & (2018-2023)
5.3.5 Armada Music Recent Developments
5.4 Armada Music
5.4.1 Armada Music Profile
5.4.2 Armada Music Main Business
5.4.3 Armada Music Electronic Music Products, Services and Solutions
5.4.4 Armada Music Electronic Music Revenue (US$ Million) & (2018-2023)
5.4.5 Armada Music Recent Developments
5.5 OWSLA
5.5.1 OWSLA Profile
5.5.2 OWSLA Main Business
5.5.3 OWSLA Electronic Music Products, Services and Solutions
5.5.4 OWSLA Electronic Music Revenue (US$ Million) & (2018-2023)
5.5.5 OWSLA Recent Developments
5.6 Monstercat
5.6.1 Monstercat Profile
5.6.2 Monstercat Main Business
5.6.3 Monstercat Electronic Music Products, Services and Solutions
5.6.4 Monstercat Electronic Music Revenue (US$ Million) & (2018-2023)
5.6.5 Monstercat Recent Developments
5.7 Ministry of Sound
5.7.1 Ministry of Sound Profile
5.7.2 Ministry of Sound Main Business
5.7.3 Ministry of Sound Electronic Music Products, Services and Solutions
5.7.4 Ministry of Sound Electronic Music Revenue (US$ Million) & (2018-2023)
5.7.5 Ministry of Sound Recent Developments
5.8 Revealed Recordings
5.8.1 Revealed Recordings Profile
5.8.2 Revealed Recordings Main Business
5.8.3 Revealed Recordings Electronic Music Products, Services and Solutions
5.8.4 Revealed Recordings Electronic Music Revenue (US$ Million) & (2018-2023)
5.8.5 Revealed Recordings Recent Developments
5.9 Dim Mak
5.9.1 Dim Mak Profile
5.9.2 Dim Mak Main Business
5.9.3 Dim Mak Electronic Music Products, Services and Solutions
5.9.4 Dim Mak Electronic Music Revenue (US$ Million) & (2018-2023)
5.9.5 Dim Mak Recent Developments
5.10 Defected
5.10.1 Defected Profile
5.10.2 Defected Main Business
5.10.3 Defected Electronic Music Products, Services and Solutions
5.10.4 Defected Electronic Music Revenue (US$ Million) & (2018-2023)
5.10.5 Defected Recent Developments
6 North America
6.1 North America Electronic Music Market Size by Country (2018-2029)
6.2 U.S.
6.3 Canada
7 Europe
7.1 Europe Electronic Music Market Size by Country (2018-2029)
7.2 Germany
7.3 France
7.4 U.K.
7.5 Italy
7.6 Russia
7.7 Nordic Countries
7.8 Rest of Europe
8 Asia-Pacific
8.1 Asia-Pacific Electronic Music Market Size by Region (2018-2029)
8.2 China
8.3 Japan
8.4 South Korea
8.5 Southeast Asia
8.6 India
8.7 Australia
8.8 Rest of Asia-Pacific
9 Latin America
9.1 Latin America Electronic Music Market Size by Country (2018-2029)
9.2 Mexico
9.3 Brazil
9.4 Rest of Latin America
10 Middle East & Africa
10.1 Middle East & Africa Electronic Music Market Size by Country (2018-2029)
10.2 Turkey
10.3 Saudi Arabia
10.4 UAE
10.5 Rest of Middle East & Africa
11 Electronic Music Market Dynamics
11.1 Electronic Music Industry Trends
11.2 Electronic Music Market Drivers
11.3 Electronic Music Market Challenges
11.4 Electronic Music Market Restraints
12 Research Finding /Conclusion
13 Methodology and Data Source
13.1 Methodology/Research Approach
13.1.1 Research Programs/Design
13.1.2 Market Size Estimation
13.1.3 Market Breakdown and Data Triangulation
13.2 Data Source
13.2.1 Secondary Sources
13.2.2 Primary Sources
13.3 Disclaimer
13.4 Author List

Published By : QY Research

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