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Global Copyright Music Market Research Report 2024
Synopsis
The global Copyright Music market was valued at US$ million in 2023 and is anticipated to reach US$ million by 2030, witnessing a CAGR of % during the forecast period 2024-2030.
In the Chinese market, major copyrighted music players include Tencent Music, NetEase Cloud Music, SONY Music, Universal Music and Warner Music, etc., with the top five companies taking up about 44% of the market share. In terms of product types, copyright agents are the largest market segment, accounting for 44 percent of the market share, and in terms of applications, enterprises have the largest share, about 63 percent.
This report aims to provide a comprehensive presentation of the global market for Copyright Music, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Copyright Music.
Report Scope
The Copyright Music market size, estimations, and forecasts are provided in terms of revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. This report segments the global Copyright Music market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Copyright Music companies, new entrants, and industry chain related companies in this market with information on the revenues, sales volume, and average price for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
Market Segmentation
By Company
Tencent Music
NetEase Cloud Music
Sony Music
Universal Music
Warner Music
Taihe Music
Rock Records
HIM International Music
MODERN SKY
Fenghua Qiushi
Segment by Type
Record Company
Music Producers and Studios
Copyright Agent
Copyright Regulatory Department
Segment by Application
Personal
Business
By Region
North America
United States
Canada
Europe
Germany
France
UK
Italy
Russia
Nordic Countries
Rest of Europe
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Copyright Music companies’ competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.
The global Copyright Music market was valued at US$ million in 2023 and is anticipated to reach US$ million by 2030, witnessing a CAGR of % during the forecast period 2024-2030.
In the Chinese market, major copyrighted music players include Tencent Music, NetEase Cloud Music, SONY Music, Universal Music and Warner Music, etc., with the top five companies taking up about 44% of the market share. In terms of product types, copyright agents are the largest market segment, accounting for 44 percent of the market share, and in terms of applications, enterprises have the largest share, about 63 percent.
This report aims to provide a comprehensive presentation of the global market for Copyright Music, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Copyright Music.
Report Scope
The Copyright Music market size, estimations, and forecasts are provided in terms of revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. This report segments the global Copyright Music market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Copyright Music companies, new entrants, and industry chain related companies in this market with information on the revenues, sales volume, and average price for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
Market Segmentation
By Company
Tencent Music
NetEase Cloud Music
Sony Music
Universal Music
Warner Music
Taihe Music
Rock Records
HIM International Music
MODERN SKY
Fenghua Qiushi
Segment by Type
Record Company
Music Producers and Studios
Copyright Agent
Copyright Regulatory Department
Segment by Application
Personal
Business
By Region
North America
United States
Canada
Europe
Germany
France
UK
Italy
Russia
Nordic Countries
Rest of Europe
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Copyright Music companies’ competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.
Index1 Report Overview
1.1 Study Scope
1.2 Market Analysis by Type
1.2.1 Global Copyright Music Market Size Growth Rate by Type: 2019 VS 2023 VS 2030
1.2.2 Record Company
1.2.3 Music Producers and Studios
1.2.4 Copyright Agent
1.2.5 Copyright Regulatory Department
1.3 Market by Application
1.3.1 Global Copyright Music Market Growth by Application: 2019 VS 2023 VS 2030
1.3.2 Personal
1.3.3 Business
1.4 Study Objectives
1.5 Years Considered
1.6 Years Considered
2 Global Growth Trends
2.1 Global Copyright Music Market Perspective (2019-2030)
2.2 Copyright Music Growth Trends by Region
2.2.1 Global Copyright Music Market Size by Region: 2019 VS 2023 VS 2030
2.2.2 Copyright Music Historic Market Size by Region (2019-2024)
2.2.3 Copyright Music Forecasted Market Size by Region (2025-2030)
2.3 Copyright Music Market Dynamics
2.3.1 Copyright Music Industry Trends
2.3.2 Copyright Music Market Drivers
2.3.3 Copyright Music Market Challenges
2.3.4 Copyright Music Market Restraints
3 Competition Landscape by Key Players
3.1 Global Top Copyright Music Players by Revenue
3.1.1 Global Top Copyright Music Players by Revenue (2019-2024)
3.1.2 Global Copyright Music Revenue Market Share by Players (2019-2024)
3.2 Global Copyright Music Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.3 Players Covered: Ranking by Copyright Music Revenue
3.4 Global Copyright Music Market Concentration Ratio
3.4.1 Global Copyright Music Market Concentration Ratio (CR5 and HHI)
3.4.2 Global Top 10 and Top 5 Companies by Copyright Music Revenue in 2023
3.5 Copyright Music Key Players Head office and Area Served
3.6 Key Players Copyright Music Product Solution and Service
3.7 Date of Enter into Copyright Music Market
3.8 Mergers & Acquisitions, Expansion Plans
4 Copyright Music Breakdown Data by Type
4.1 Global Copyright Music Historic Market Size by Type (2019-2024)
4.2 Global Copyright Music Forecasted Market Size by Type (2025-2030)
5 Copyright Music Breakdown Data by Application
5.1 Global Copyright Music Historic Market Size by Application (2019-2024)
5.2 Global Copyright Music Forecasted Market Size by Application (2025-2030)
6 North America
6.1 North America Copyright Music Market Size (2019-2030)
6.2 North America Copyright Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
6.3 North America Copyright Music Market Size by Country (2019-2024)
6.4 North America Copyright Music Market Size by Country (2025-2030)
6.5 United States
6.6 Canada
7 Europe
7.1 Europe Copyright Music Market Size (2019-2030)
7.2 Europe Copyright Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
7.3 Europe Copyright Music Market Size by Country (2019-2024)
7.4 Europe Copyright Music Market Size by Country (2025-2030)
7.5 Germany
7.6 France
7.7 U.K.
7.8 Italy
7.9 Russia
7.10 Nordic Countries
8 Asia-Pacific
8.1 Asia-Pacific Copyright Music Market Size (2019-2030)
8.2 Asia-Pacific Copyright Music Market Growth Rate by Region: 2019 VS 2023 VS 2030
8.3 Asia-Pacific Copyright Music Market Size by Region (2019-2024)
8.4 Asia-Pacific Copyright Music Market Size by Region (2025-2030)
8.5 China
8.6 Japan
8.7 South Korea
8.8 Southeast Asia
8.9 India
8.10 Australia
9 Latin America
9.1 Latin America Copyright Music Market Size (2019-2030)
9.2 Latin America Copyright Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
9.3 Latin America Copyright Music Market Size by Country (2019-2024)
9.4 Latin America Copyright Music Market Size by Country (2025-2030)
9.5 Mexico
9.6 Brazil
10 Middle East & Africa
10.1 Middle East & Africa Copyright Music Market Size (2019-2030)
10.2 Middle East & Africa Copyright Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
10.3 Middle East & Africa Copyright Music Market Size by Country (2019-2024)
10.4 Middle East & Africa Copyright Music Market Size by Country (2025-2030)
10.5 Turkey
10.6 Saudi Arabia
10.7 UAE
11 Key Players Profiles
11.1 Tencent Music
11.1.1 Tencent Music Company Detail
11.1.2 Tencent Music Business Overview
11.1.3 Tencent Music Copyright Music Introduction
11.1.4 Tencent Music Revenue in Copyright Music Business (2019-2024)
11.1.5 Tencent Music Recent Development
11.2 NetEase Cloud Music
11.2.1 NetEase Cloud Music Company Detail
11.2.2 NetEase Cloud Music Business Overview
11.2.3 NetEase Cloud Music Copyright Music Introduction
11.2.4 NetEase Cloud Music Revenue in Copyright Music Business (2019-2024)
11.2.5 NetEase Cloud Music Recent Development
11.3 Sony Music
11.3.1 Sony Music Company Detail
11.3.2 Sony Music Business Overview
11.3.3 Sony Music Copyright Music Introduction
11.3.4 Sony Music Revenue in Copyright Music Business (2019-2024)
11.3.5 Sony Music Recent Development
11.4 Universal Music
11.4.1 Universal Music Company Detail
11.4.2 Universal Music Business Overview
11.4.3 Universal Music Copyright Music Introduction
11.4.4 Universal Music Revenue in Copyright Music Business (2019-2024)
11.4.5 Universal Music Recent Development
11.5 Warner Music
11.5.1 Warner Music Company Detail
11.5.2 Warner Music Business Overview
11.5.3 Warner Music Copyright Music Introduction
11.5.4 Warner Music Revenue in Copyright Music Business (2019-2024)
11.5.5 Warner Music Recent Development
11.6 Taihe Music
11.6.1 Taihe Music Company Detail
11.6.2 Taihe Music Business Overview
11.6.3 Taihe Music Copyright Music Introduction
11.6.4 Taihe Music Revenue in Copyright Music Business (2019-2024)
11.6.5 Taihe Music Recent Development
11.7 Rock Records
11.7.1 Rock Records Company Detail
11.7.2 Rock Records Business Overview
11.7.3 Rock Records Copyright Music Introduction
11.7.4 Rock Records Revenue in Copyright Music Business (2019-2024)
11.7.5 Rock Records Recent Development
11.8 HIM International Music
11.8.1 HIM International Music Company Detail
11.8.2 HIM International Music Business Overview
11.8.3 HIM International Music Copyright Music Introduction
11.8.4 HIM International Music Revenue in Copyright Music Business (2019-2024)
11.8.5 HIM International Music Recent Development
11.9 MODERN SKY
11.9.1 MODERN SKY Company Detail
11.9.2 MODERN SKY Business Overview
11.9.3 MODERN SKY Copyright Music Introduction
11.9.4 MODERN SKY Revenue in Copyright Music Business (2019-2024)
11.9.5 MODERN SKY Recent Development
11.10 Fenghua Qiushi
11.10.1 Fenghua Qiushi Company Detail
11.10.2 Fenghua Qiushi Business Overview
11.10.3 Fenghua Qiushi Copyright Music Introduction
11.10.4 Fenghua Qiushi Revenue in Copyright Music Business (2019-2024)
11.10.5 Fenghua Qiushi Recent Development
12 Analyst's Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.2 Data Source
13.2 Disclaimer
13.3 Author Details
Published By : QY Research
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