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Global Electronic Dance Music Market Research Report 2024

Global Electronic Dance Music Market Research Report 2024

Publishing Date : Feb, 2024

License Type :
 

Report Code : 1903563

No of Pages : 83

Synopsis
Electronic dance music (also known as EDM, dance music, club music, or simply dance) is a broad range of percussive electronic music genres made largely for nightclubs, raves, and festivals. It is generally produced for playback by disc jockeys (DJs) who create seamless selections of tracks, called a mix, by segueing from one recording to another.
The global Electronic Dance Music market was valued at US$ million in 2023 and is anticipated to reach US$ million by 2030, witnessing a CAGR of % during the forecast period 2024-2030.
North American market for Electronic Dance Music is estimated to increase from $ million in 2023 to reach $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
Asia-Pacific market for Electronic Dance Music is estimated to increase from $ million in 2023 to reach $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
The global market for Electronic Dance Music in Clubs is estimated to increase from $ million in 2023 to $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
The major global companies of Electronic Dance Music include Spinnin’ Records, Mad Decent, Ultra Music, Armada Music, OWSLA, Monstercat, Ministry of Sound, Revealed Recordings and Dim Mak, etc. In 2023, the world's top three vendors accounted for approximately % of the revenue.
This report aims to provide a comprehensive presentation of the global market for Electronic Dance Music, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Electronic Dance Music.
Report Scope
The Electronic Dance Music market size, estimations, and forecasts are provided in terms of revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. This report segments the global Electronic Dance Music market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Electronic Dance Music companies, new entrants, and industry chain related companies in this market with information on the revenues, sales volume, and average price for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
Market Segmentation
By Company
Spinnin’ Records
Mad Decent
Ultra Music
Armada Music
OWSLA
Monstercat
Ministry of Sound
Revealed Recordings
Dim Mak
Defected
Segment by Type
Dub
Hip Hop
Disco
House Music
Others
Segment by Application
Clubs
DJs & Live Acts
Others
By Region
North America
United States
Canada
Europe
Germany
France
UK
Italy
Russia
Nordic Countries
Rest of Europe
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Electronic Dance Music companies’ competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.
Index
1 Report Overview
1.1 Study Scope
1.2 Market Analysis by Type
1.2.1 Global Electronic Dance Music Market Size Growth Rate by Type: 2019 VS 2023 VS 2030
1.2.2 Dub
1.2.3 Hip Hop
1.2.4 Disco
1.2.5 House Music
1.2.6 Others
1.3 Market by Application
1.3.1 Global Electronic Dance Music Market Growth by Application: 2019 VS 2023 VS 2030
1.3.2 Clubs
1.3.3 DJs & Live Acts
1.3.4 Others
1.4 Study Objectives
1.5 Years Considered
1.6 Years Considered
2 Global Growth Trends
2.1 Global Electronic Dance Music Market Perspective (2019-2030)
2.2 Electronic Dance Music Growth Trends by Region
2.2.1 Global Electronic Dance Music Market Size by Region: 2019 VS 2023 VS 2030
2.2.2 Electronic Dance Music Historic Market Size by Region (2019-2024)
2.2.3 Electronic Dance Music Forecasted Market Size by Region (2025-2030)
2.3 Electronic Dance Music Market Dynamics
2.3.1 Electronic Dance Music Industry Trends
2.3.2 Electronic Dance Music Market Drivers
2.3.3 Electronic Dance Music Market Challenges
2.3.4 Electronic Dance Music Market Restraints
3 Competition Landscape by Key Players
3.1 Global Top Electronic Dance Music Players by Revenue
3.1.1 Global Top Electronic Dance Music Players by Revenue (2019-2024)
3.1.2 Global Electronic Dance Music Revenue Market Share by Players (2019-2024)
3.2 Global Electronic Dance Music Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.3 Players Covered: Ranking by Electronic Dance Music Revenue
3.4 Global Electronic Dance Music Market Concentration Ratio
3.4.1 Global Electronic Dance Music Market Concentration Ratio (CR5 and HHI)
3.4.2 Global Top 10 and Top 5 Companies by Electronic Dance Music Revenue in 2023
3.5 Electronic Dance Music Key Players Head office and Area Served
3.6 Key Players Electronic Dance Music Product Solution and Service
3.7 Date of Enter into Electronic Dance Music Market
3.8 Mergers & Acquisitions, Expansion Plans
4 Electronic Dance Music Breakdown Data by Type
4.1 Global Electronic Dance Music Historic Market Size by Type (2019-2024)
4.2 Global Electronic Dance Music Forecasted Market Size by Type (2025-2030)
5 Electronic Dance Music Breakdown Data by Application
5.1 Global Electronic Dance Music Historic Market Size by Application (2019-2024)
5.2 Global Electronic Dance Music Forecasted Market Size by Application (2025-2030)
6 North America
6.1 North America Electronic Dance Music Market Size (2019-2030)
6.2 North America Electronic Dance Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
6.3 North America Electronic Dance Music Market Size by Country (2019-2024)
6.4 North America Electronic Dance Music Market Size by Country (2025-2030)
6.5 United States
6.6 Canada
7 Europe
7.1 Europe Electronic Dance Music Market Size (2019-2030)
7.2 Europe Electronic Dance Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
7.3 Europe Electronic Dance Music Market Size by Country (2019-2024)
7.4 Europe Electronic Dance Music Market Size by Country (2025-2030)
7.5 Germany
7.6 France
7.7 U.K.
7.8 Italy
7.9 Russia
7.10 Nordic Countries
8 Asia-Pacific
8.1 Asia-Pacific Electronic Dance Music Market Size (2019-2030)
8.2 Asia-Pacific Electronic Dance Music Market Growth Rate by Region: 2019 VS 2023 VS 2030
8.3 Asia-Pacific Electronic Dance Music Market Size by Region (2019-2024)
8.4 Asia-Pacific Electronic Dance Music Market Size by Region (2025-2030)
8.5 China
8.6 Japan
8.7 South Korea
8.8 Southeast Asia
8.9 India
8.10 Australia
9 Latin America
9.1 Latin America Electronic Dance Music Market Size (2019-2030)
9.2 Latin America Electronic Dance Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
9.3 Latin America Electronic Dance Music Market Size by Country (2019-2024)
9.4 Latin America Electronic Dance Music Market Size by Country (2025-2030)
9.5 Mexico
9.6 Brazil
10 Middle East & Africa
10.1 Middle East & Africa Electronic Dance Music Market Size (2019-2030)
10.2 Middle East & Africa Electronic Dance Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
10.3 Middle East & Africa Electronic Dance Music Market Size by Country (2019-2024)
10.4 Middle East & Africa Electronic Dance Music Market Size by Country (2025-2030)
10.5 Turkey
10.6 Saudi Arabia
10.7 UAE
11 Key Players Profiles
11.1 Spinnin’ Records
11.1.1 Spinnin’ Records Company Detail
11.1.2 Spinnin’ Records Business Overview
11.1.3 Spinnin’ Records Electronic Dance Music Introduction
11.1.4 Spinnin’ Records Revenue in Electronic Dance Music Business (2019-2024)
11.1.5 Spinnin’ Records Recent Development
11.2 Mad Decent
11.2.1 Mad Decent Company Detail
11.2.2 Mad Decent Business Overview
11.2.3 Mad Decent Electronic Dance Music Introduction
11.2.4 Mad Decent Revenue in Electronic Dance Music Business (2019-2024)
11.2.5 Mad Decent Recent Development
11.3 Ultra Music
11.3.1 Ultra Music Company Detail
11.3.2 Ultra Music Business Overview
11.3.3 Ultra Music Electronic Dance Music Introduction
11.3.4 Ultra Music Revenue in Electronic Dance Music Business (2019-2024)
11.3.5 Ultra Music Recent Development
11.4 Armada Music
11.4.1 Armada Music Company Detail
11.4.2 Armada Music Business Overview
11.4.3 Armada Music Electronic Dance Music Introduction
11.4.4 Armada Music Revenue in Electronic Dance Music Business (2019-2024)
11.4.5 Armada Music Recent Development
11.5 OWSLA
11.5.1 OWSLA Company Detail
11.5.2 OWSLA Business Overview
11.5.3 OWSLA Electronic Dance Music Introduction
11.5.4 OWSLA Revenue in Electronic Dance Music Business (2019-2024)
11.5.5 OWSLA Recent Development
11.6 Monstercat
11.6.1 Monstercat Company Detail
11.6.2 Monstercat Business Overview
11.6.3 Monstercat Electronic Dance Music Introduction
11.6.4 Monstercat Revenue in Electronic Dance Music Business (2019-2024)
11.6.5 Monstercat Recent Development
11.7 Ministry of Sound
11.7.1 Ministry of Sound Company Detail
11.7.2 Ministry of Sound Business Overview
11.7.3 Ministry of Sound Electronic Dance Music Introduction
11.7.4 Ministry of Sound Revenue in Electronic Dance Music Business (2019-2024)
11.7.5 Ministry of Sound Recent Development
11.8 Revealed Recordings
11.8.1 Revealed Recordings Company Detail
11.8.2 Revealed Recordings Business Overview
11.8.3 Revealed Recordings Electronic Dance Music Introduction
11.8.4 Revealed Recordings Revenue in Electronic Dance Music Business (2019-2024)
11.8.5 Revealed Recordings Recent Development
11.9 Dim Mak
11.9.1 Dim Mak Company Detail
11.9.2 Dim Mak Business Overview
11.9.3 Dim Mak Electronic Dance Music Introduction
11.9.4 Dim Mak Revenue in Electronic Dance Music Business (2019-2024)
11.9.5 Dim Mak Recent Development
11.10 Defected
11.10.1 Defected Company Detail
11.10.2 Defected Business Overview
11.10.3 Defected Electronic Dance Music Introduction
11.10.4 Defected Revenue in Electronic Dance Music Business (2019-2024)
11.10.5 Defected Recent Development
12 Analyst's Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.2 Data Source
13.2 Disclaimer
13.3 Author Details

Published By : QY Research

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