The Market Reports
Call: +1-631-407-1315 / +91-750-729-1479
Email: sales@themarketreports.com
Global Electronic Music Market Research Report 2024
Synopsis
Electronic music is a well-liked music intended in clubs. The music has repetitive beat and synthesized backtrack. Since the beginning of music, many people have been listening to various types of them.
The global Electronic Music market was valued at US$ million in 2023 and is anticipated to reach US$ million by 2030, witnessing a CAGR of % during the forecast period 2024-2030.
North American market for Electronic Music is estimated to increase from $ million in 2023 to reach $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
Asia-Pacific market for Electronic Music is estimated to increase from $ million in 2023 to reach $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
The global market for Electronic Music in Clubs is estimated to increase from $ million in 2023 to $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
The major global companies of Electronic Music include Spinnin’ Records, Mad Decent, Ultra Music, Armada Music, OWSLA, Monstercat, Ministry of Sound, Revealed Recordings and Dim Mak, etc. In 2023, the world's top three vendors accounted for approximately % of the revenue.
This report aims to provide a comprehensive presentation of the global market for Electronic Music, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Electronic Music.
Report Scope
The Electronic Music market size, estimations, and forecasts are provided in terms of revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. This report segments the global Electronic Music market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Electronic Music companies, new entrants, and industry chain related companies in this market with information on the revenues, sales volume, and average price for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
Market Segmentation
By Company
Spinnin’ Records
Mad Decent
Ultra Music
Armada Music
OWSLA
Monstercat
Ministry of Sound
Revealed Recordings
Dim Mak
Defected
Segment by Type
Trance Music
Trap
Glitch Hop
Chillout Music
Others
Segment by Application
Clubs
DJs & Live Acts
Others
By Region
North America
United States
Canada
Europe
Germany
France
UK
Italy
Russia
Nordic Countries
Rest of Europe
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Electronic Music companies’ competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.
Electronic music is a well-liked music intended in clubs. The music has repetitive beat and synthesized backtrack. Since the beginning of music, many people have been listening to various types of them.
The global Electronic Music market was valued at US$ million in 2023 and is anticipated to reach US$ million by 2030, witnessing a CAGR of % during the forecast period 2024-2030.
North American market for Electronic Music is estimated to increase from $ million in 2023 to reach $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
Asia-Pacific market for Electronic Music is estimated to increase from $ million in 2023 to reach $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
The global market for Electronic Music in Clubs is estimated to increase from $ million in 2023 to $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
The major global companies of Electronic Music include Spinnin’ Records, Mad Decent, Ultra Music, Armada Music, OWSLA, Monstercat, Ministry of Sound, Revealed Recordings and Dim Mak, etc. In 2023, the world's top three vendors accounted for approximately % of the revenue.
This report aims to provide a comprehensive presentation of the global market for Electronic Music, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Electronic Music.
Report Scope
The Electronic Music market size, estimations, and forecasts are provided in terms of revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. This report segments the global Electronic Music market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Electronic Music companies, new entrants, and industry chain related companies in this market with information on the revenues, sales volume, and average price for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
Market Segmentation
By Company
Spinnin’ Records
Mad Decent
Ultra Music
Armada Music
OWSLA
Monstercat
Ministry of Sound
Revealed Recordings
Dim Mak
Defected
Segment by Type
Trance Music
Trap
Glitch Hop
Chillout Music
Others
Segment by Application
Clubs
DJs & Live Acts
Others
By Region
North America
United States
Canada
Europe
Germany
France
UK
Italy
Russia
Nordic Countries
Rest of Europe
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Electronic Music companies’ competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.
Index1 Report Overview
1.1 Study Scope
1.2 Market Analysis by Type
1.2.1 Global Electronic Music Market Size Growth Rate by Type: 2019 VS 2023 VS 2030
1.2.2 Trance Music
1.2.3 Trap
1.2.4 Glitch Hop
1.2.5 Chillout Music
1.2.6 Others
1.3 Market by Application
1.3.1 Global Electronic Music Market Growth by Application: 2019 VS 2023 VS 2030
1.3.2 Clubs
1.3.3 DJs & Live Acts
1.3.4 Others
1.4 Study Objectives
1.5 Years Considered
1.6 Years Considered
2 Global Growth Trends
2.1 Global Electronic Music Market Perspective (2019-2030)
2.2 Electronic Music Growth Trends by Region
2.2.1 Global Electronic Music Market Size by Region: 2019 VS 2023 VS 2030
2.2.2 Electronic Music Historic Market Size by Region (2019-2024)
2.2.3 Electronic Music Forecasted Market Size by Region (2025-2030)
2.3 Electronic Music Market Dynamics
2.3.1 Electronic Music Industry Trends
2.3.2 Electronic Music Market Drivers
2.3.3 Electronic Music Market Challenges
2.3.4 Electronic Music Market Restraints
3 Competition Landscape by Key Players
3.1 Global Top Electronic Music Players by Revenue
3.1.1 Global Top Electronic Music Players by Revenue (2019-2024)
3.1.2 Global Electronic Music Revenue Market Share by Players (2019-2024)
3.2 Global Electronic Music Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.3 Players Covered: Ranking by Electronic Music Revenue
3.4 Global Electronic Music Market Concentration Ratio
3.4.1 Global Electronic Music Market Concentration Ratio (CR5 and HHI)
3.4.2 Global Top 10 and Top 5 Companies by Electronic Music Revenue in 2023
3.5 Electronic Music Key Players Head office and Area Served
3.6 Key Players Electronic Music Product Solution and Service
3.7 Date of Enter into Electronic Music Market
3.8 Mergers & Acquisitions, Expansion Plans
4 Electronic Music Breakdown Data by Type
4.1 Global Electronic Music Historic Market Size by Type (2019-2024)
4.2 Global Electronic Music Forecasted Market Size by Type (2025-2030)
5 Electronic Music Breakdown Data by Application
5.1 Global Electronic Music Historic Market Size by Application (2019-2024)
5.2 Global Electronic Music Forecasted Market Size by Application (2025-2030)
6 North America
6.1 North America Electronic Music Market Size (2019-2030)
6.2 North America Electronic Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
6.3 North America Electronic Music Market Size by Country (2019-2024)
6.4 North America Electronic Music Market Size by Country (2025-2030)
6.5 United States
6.6 Canada
7 Europe
7.1 Europe Electronic Music Market Size (2019-2030)
7.2 Europe Electronic Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
7.3 Europe Electronic Music Market Size by Country (2019-2024)
7.4 Europe Electronic Music Market Size by Country (2025-2030)
7.5 Germany
7.6 France
7.7 U.K.
7.8 Italy
7.9 Russia
7.10 Nordic Countries
8 Asia-Pacific
8.1 Asia-Pacific Electronic Music Market Size (2019-2030)
8.2 Asia-Pacific Electronic Music Market Growth Rate by Region: 2019 VS 2023 VS 2030
8.3 Asia-Pacific Electronic Music Market Size by Region (2019-2024)
8.4 Asia-Pacific Electronic Music Market Size by Region (2025-2030)
8.5 China
8.6 Japan
8.7 South Korea
8.8 Southeast Asia
8.9 India
8.10 Australia
9 Latin America
9.1 Latin America Electronic Music Market Size (2019-2030)
9.2 Latin America Electronic Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
9.3 Latin America Electronic Music Market Size by Country (2019-2024)
9.4 Latin America Electronic Music Market Size by Country (2025-2030)
9.5 Mexico
9.6 Brazil
10 Middle East & Africa
10.1 Middle East & Africa Electronic Music Market Size (2019-2030)
10.2 Middle East & Africa Electronic Music Market Growth Rate by Country: 2019 VS 2023 VS 2030
10.3 Middle East & Africa Electronic Music Market Size by Country (2019-2024)
10.4 Middle East & Africa Electronic Music Market Size by Country (2025-2030)
10.5 Turkey
10.6 Saudi Arabia
10.7 UAE
11 Key Players Profiles
11.1 Spinnin’ Records
11.1.1 Spinnin’ Records Company Detail
11.1.2 Spinnin’ Records Business Overview
11.1.3 Spinnin’ Records Electronic Music Introduction
11.1.4 Spinnin’ Records Revenue in Electronic Music Business (2019-2024)
11.1.5 Spinnin’ Records Recent Development
11.2 Mad Decent
11.2.1 Mad Decent Company Detail
11.2.2 Mad Decent Business Overview
11.2.3 Mad Decent Electronic Music Introduction
11.2.4 Mad Decent Revenue in Electronic Music Business (2019-2024)
11.2.5 Mad Decent Recent Development
11.3 Ultra Music
11.3.1 Ultra Music Company Detail
11.3.2 Ultra Music Business Overview
11.3.3 Ultra Music Electronic Music Introduction
11.3.4 Ultra Music Revenue in Electronic Music Business (2019-2024)
11.3.5 Ultra Music Recent Development
11.4 Armada Music
11.4.1 Armada Music Company Detail
11.4.2 Armada Music Business Overview
11.4.3 Armada Music Electronic Music Introduction
11.4.4 Armada Music Revenue in Electronic Music Business (2019-2024)
11.4.5 Armada Music Recent Development
11.5 OWSLA
11.5.1 OWSLA Company Detail
11.5.2 OWSLA Business Overview
11.5.3 OWSLA Electronic Music Introduction
11.5.4 OWSLA Revenue in Electronic Music Business (2019-2024)
11.5.5 OWSLA Recent Development
11.6 Monstercat
11.6.1 Monstercat Company Detail
11.6.2 Monstercat Business Overview
11.6.3 Monstercat Electronic Music Introduction
11.6.4 Monstercat Revenue in Electronic Music Business (2019-2024)
11.6.5 Monstercat Recent Development
11.7 Ministry of Sound
11.7.1 Ministry of Sound Company Detail
11.7.2 Ministry of Sound Business Overview
11.7.3 Ministry of Sound Electronic Music Introduction
11.7.4 Ministry of Sound Revenue in Electronic Music Business (2019-2024)
11.7.5 Ministry of Sound Recent Development
11.8 Revealed Recordings
11.8.1 Revealed Recordings Company Detail
11.8.2 Revealed Recordings Business Overview
11.8.3 Revealed Recordings Electronic Music Introduction
11.8.4 Revealed Recordings Revenue in Electronic Music Business (2019-2024)
11.8.5 Revealed Recordings Recent Development
11.9 Dim Mak
11.9.1 Dim Mak Company Detail
11.9.2 Dim Mak Business Overview
11.9.3 Dim Mak Electronic Music Introduction
11.9.4 Dim Mak Revenue in Electronic Music Business (2019-2024)
11.9.5 Dim Mak Recent Development
11.10 Defected
11.10.1 Defected Company Detail
11.10.2 Defected Business Overview
11.10.3 Defected Electronic Music Introduction
11.10.4 Defected Revenue in Electronic Music Business (2019-2024)
11.10.5 Defected Recent Development
12 Analyst's Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.2 Data Source
13.2 Disclaimer
13.3 Author Details
Published By : QY Research
Why ‘The Market Reports’
In Business:
Pre Sales Support:
Post Sales Support:
Turn Around Time:
Clients Served:
Clients Assisted:
Client Types:
Payment:
- Accept global payments [Credit Card / PayPal / Wire Transfer]
- Accept local payments in South Korea, Germany, China and India [Can pay in local currency]
Latest IT & Electronics Market Reports
Payments Accepted From
Connect with us at
Complete Secure Website
